Saturday, September 27, 2008

Saturday Poetry

Jerry Lee Lewis

September 29, 1935 -


Whole Lotta Shaking Going On

Come over baby
whole lot of shakin' goin' on
Yes, I said come over baby
baby you can't go wrong
We ain't fakin'
Whole lot of shakin' goin' on

Well I said come over baby
we got chicken in the barn
oooh... huh..
Come over baby
babe we got the bull by the horn-a
We ain't fakin'
Whole lot of shakin' goin' on


Well I said shake baby shake
I said shake baby shake
I said shake it baby shake it
I said shake baby shake
Come on over
Whole lot of shakin goin' on

Ahhhhh Let's Go !


Well I said come over baby
we got chicken in the barn
Who's barn
what barn
my barn
Come over baby well, we got the bull by the horns
We ain't fakin'
Whole lot of shakin' goin' on

Easy Now (lower)
Shake it Ahhhh... Shake it babe
Yeah.... You can shake one time for me
Well I said come over baby
Whole lot of shakin' goin' on

Now lets get real low one time now
Shake baby shake
All you gotta honey is kinda stand in one spot
wiggle around just a little bit
thats what you gotta do yeah....
Oh babe whole lotta shakin' goin' on

Now let go one time


"Whole Lotta Shakin' Goin On" (also rendered "Whole Lotta Shaking Going On") is a song best known in the 1957 rock and roll hit version by Jerry Lee Lewis.

Origins of the song

The origins of the song are disputed, but the writing is co-credited to Native American (Crow) / African American Kentuckian singer/songwriter Dave "Curlee" Williams, and white pianist, bandleader and songwriter James Faye "Roy" Hall (May 7, 1922 - March 2, 1984). Hall made the first recording of the song in September 1954 for Decca Records, and maintained that he had written it under the pseudonym of "Sunny David". However, a Decca sample copy of Hall's recording lists Dave Williams as the sole writer. Hall was also a Nashville club owner, who later claimed to have employed young piano player Jerry Lee Lewis at some point around 1954.

Hall's version was rapidly covered by Big Maybelle whose recording was produced by the young Quincy Jones, and by others including The Commodores (no relation to the '70s Motown group). However, none of these early recordings found much commercial success.

Jerry Lee Lewis version

Jerry Lee Lewis had been performing the song in his stage act, and recorded it at his second recording session for Sun Records, on May 27, 1957. Supervised by producer Jack Clement, Lewis radically altered the original, adding a propulsive boogie piano that was complemented by J.M. Van Eaton's energetic drumming, and also added suggestive spoken asides. Lewis later stated : "I knew it was a hit when I cut it. Sam Phillips thought it was gonna be too risqué, it couldn't make it. If that's risqué, well, I'm sorry."

In Lewis' autobiographical film, Lewis is shown spying in on Black American speak-easy type club, listening to Whole Lotta Shakin Goin' On by a Black female soloist. The next scene depicts Lewis using this song, discrediting the original artist.

Released as Sun 267, the record reached # 3 on the Billboard pop charts, # 1 on the R&B charts, # 1 on the country charts, and # 8 in the UK. Lewis became an instant sensation and, as writer Robert Gordon noted: "Jerry Lee began to show that in this new emerging genre called rock 'n' roll, not everybody was going to stand there with a guitar."

Jerry Lee Lewis's version of the song is ranked as the sixty-first greatest song of all time by Rolling Stone magazine. In 2005, it was selected for permanent preservation in the National Recording Registry at the Library of Congress.

Happy Birthday, Killer!

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